{"product_id":"4-gerling-cd-promo","title":"4, Gerling - CD Promo","description":"\u003cp\u003ePromo\u003c\/p\u003e\n\u003cp\u003eCD Mint - \u003c\/p\u003e\n\u003ch3 data-path-to-node=\"0\"\u003e\u003cb data-path-to-node=\"0\" data-index-in-node=\"0\"\u003eGerling – 4 (Promo)\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Gerling\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003e\u003cb data-path-to-node=\"2\" data-index-in-node=\"0\"\u003eTitle:\u003c\/b\u003e 4\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"3\" data-index-in-node=\"0\"\u003eFormat:\u003c\/b\u003e CD Promo (Original Pressing)\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003e\u003cb data-path-to-node=\"4\" data-index-in-node=\"0\"\u003eOriginal Release Date:\u003c\/b\u003e 2006\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eLabel:\u003c\/b\u003e Festival Mushroom Records (Catalog: FMRPR2)\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003e\u003cb data-path-to-node=\"6\" data-index-in-node=\"0\"\u003eGenre:\u003c\/b\u003e Electronic \/ Indie Rock \/ Alternative\u003c\/p\u003e\n\u003chr data-path-to-node=\"7\"\u003e\n\u003cp data-path-to-node=\"8\"\u003e\u003cb data-path-to-node=\"8\" data-index-in-node=\"0\"\u003eBackground \u0026amp; Production\u003c\/b\u003e \u003cb data-path-to-node=\"8\" data-index-in-node=\"24\"\u003e4\u003c\/b\u003e is the fourth and final studio album from the Sydney-based electronic-indie pioneers \u003cb data-path-to-node=\"8\" data-index-in-node=\"111\"\u003eGerling\u003c\/b\u003e. After years of being darlings of the Australian alternative scene and Triple J, the band shifted their sound for this release, leaning more heavily into a refined electronic-pop aesthetic compared to the chaotic sampling of their earlier work. This \u003cb data-path-to-node=\"8\" data-index-in-node=\"369\"\u003ePromo CD\u003c\/b\u003e was distributed to radio stations and journalists shortly before the official release on August 19, 2006. It represents the \"end of an era\" for the band, as they went on indefinite hiatus shortly after the album's cycle.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"0\"\u003eMusical Composition \u0026amp; Style\u003c\/b\u003e The album is a sophisticated blend of house music, dance-punk, and indie-rock, reflecting the mid-2000s crossover between clubs and guitar bands.\u003c\/p\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb data-path-to-node=\"10,0,0\" data-index-in-node=\"0\"\u003eThe Lead Single:\u003c\/b\u003e \u003cb data-path-to-node=\"10,0,0\" data-index-in-node=\"17\"\u003e\"Turning the Screws\"\u003c\/b\u003e is the standout track, featuring a catchy, driving synth-pop rhythm that became a staple of Australian indie radio.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"10,1,0\"\u003e\u003cb data-path-to-node=\"10,1,0\" data-index-in-node=\"0\"\u003eCollaboration:\u003c\/b\u003e The track \u003cb data-path-to-node=\"10,1,0\" data-index-in-node=\"25\"\u003e\"A Message from the Future\"\u003c\/b\u003e features guest vocals from \u003cb data-path-to-node=\"10,1,0\" data-index-in-node=\"80\"\u003eInga Liljeström\u003c\/b\u003e, adding an ethereal layer to the band’s electronic pulse.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"10,2,0\"\u003e\u003cb data-path-to-node=\"10,2,0\" data-index-in-node=\"0\"\u003eSound Shift:\u003c\/b\u003e While their previous album \u003ci data-path-to-node=\"10,2,0\" data-index-in-node=\"40\"\u003eBad Blood!!!\u003c\/i\u003e was high-energy and abrasive, \u003ci data-path-to-node=\"10,2,0\" data-index-in-node=\"83\"\u003e4\u003c\/i\u003e is more melodic and structured, focusing on songwriting and clean electronic textures.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"10,3,0\"\u003e\u003cb data-path-to-node=\"10,3,0\" data-index-in-node=\"0\"\u003eKey Tracks:\u003c\/b\u003e Tracks like \u003cb data-path-to-node=\"10,3,0\" data-index-in-node=\"24\"\u003e\"The Way You Move\"\u003c\/b\u003e and \u003cb data-path-to-node=\"10,3,0\" data-index-in-node=\"47\"\u003e\"Lash\"\u003c\/b\u003e showcase the band’s ability to bridge the gap between a rock club and a dance floor.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"0\"\u003eOriginal CD Promo \u0026amp; Collector Notes\u003c\/b\u003e Promo copies of this release are particularly scarce because they were issued during the final days of the legendary \u003cb data-path-to-node=\"11\" data-index-in-node=\"153\"\u003eFestival Mushroom Records (FMR)\u003c\/b\u003e before its assets were fully absorbed by Warner Music.\u003c\/p\u003e\n\u003cul data-path-to-node=\"12\"\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"12,0,0\"\u003e\u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"0\"\u003eIdentification:\u003c\/b\u003e The promo version usually comes in a \u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"53\"\u003ecardboard sleeve\u003c\/b\u003e or a slimline jewel case. It is clearly marked with \u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"122\"\u003e\"PROMOTIONAL USE ONLY\"\u003c\/b\u003e on the disc face and the back cover.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"12,1,0\"\u003e\u003cb data-path-to-node=\"12,1,0\" data-index-in-node=\"0\"\u003eCatalog Number:\u003c\/b\u003e The promo carries the unique ID \u003cb data-path-to-node=\"12,1,0\" data-index-in-node=\"48\"\u003eFMRPR2\u003c\/b\u003e, distinguishing it from the retail version.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"12,2,0\"\u003e\u003cb data-path-to-node=\"12,2,0\" data-index-in-node=\"0\"\u003eArtwork:\u003c\/b\u003e The cover features a minimalist \"4\" design, often with bright orange or red accents, mirroring the clean, modern sound of the record.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"12,3,0\"\u003e\u003cb data-path-to-node=\"12,3,0\" data-index-in-node=\"0\"\u003eRarity:\u003c\/b\u003e Because Gerling has a cult following in Australia and Japan, original FMR promos are highly sought after by collectors of 2000s Australian indie history.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"15,0,0\"\u003e\u003cb data-path-to-node=\"15,0,0\" data-index-in-node=\"0\"\u003eKeywords:\u003c\/b\u003e Gerling, 4, Promo CD, 2006, Festival Mushroom Records, Australian Indie, Electronic Rock, Turning the Screws, Rare Promo.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"15,1,0\"\u003e\u003cb data-path-to-node=\"15,1,0\" data-index-in-node=\"0\"\u003eCollection Ideas:\u003c\/b\u003e 2000s Australian Alternative, Festival Mushroom Records Rarities, Rare Indie Promos, Electronic-Indie Crossover.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"15,2,0\"\u003e\u003cb data-path-to-node=\"15,2,0\" data-index-in-node=\"0\"\u003eRelated Artists:\u003c\/b\u003e The Presets, Cut Copy, Midnight Juggernauts, Regurgitator, Architecture in Helsinki.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Gerling","offers":[{"title":"Default Title","offer_id":51398396936509,"sku":"5629","price":20.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0959\/2605\/9325\/files\/R-4771272-1563262722-5750.jpg?v=1771389840","url":"https:\/\/gravestonerecords.com.au\/products\/4-gerling-cd-promo","provider":"Gravestone Records","version":"1.0","type":"link"}