{"product_id":"discipline-king-crimson","title":"Discipline, King Crimson","description":"\u003cp\u003eNo Australasian Copies for Sale.\u003c\/p\u003e\n\u003cp data-path-to-node=\"0\" class=\"first-token\"\u003e\u003cspan class=\"citation-245\"\u003e\u003c\/span\u003e\u003cb data-path-to-node=\"0\" data-index-in-node=\"0\"\u003e\u003cspan class=\"citation-245\"\u003eArtist:\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"citation-245 citation-end-245\"\u003e King Crimson\u003c\/span\u003e\u003cspan class=\"citation-244\"\u003e\u003c\/span\u003e\u003cb data-path-to-node=\"0\" data-index-in-node=\"21\"\u003e\u003cspan class=\"citation-244\"\u003eTitle:\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"citation-244\"\u003e \u003c\/span\u003e\u003ci data-path-to-node=\"0\" data-index-in-node=\"28\"\u003e\u003cspan class=\"citation-244 citation-end-244\"\u003eDiscipline\u003c\/span\u003e\u003c\/i\u003e\u003cspan class=\"citation-243\"\u003e\u003c\/span\u003e\u003cb data-path-to-node=\"0\" data-index-in-node=\"39\"\u003e\u003cspan class=\"citation-243\"\u003eAlbum Type:\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"citation-243 citation-end-243\"\u003e Audiophile Reissue (200g Super-Heavyweight Vinyl)\u003c\/span\u003e\u003cb data-path-to-node=\"0\" data-index-in-node=\"101\" class=\"\"\u003eOriginal Release Date:\u003c\/b\u003e\u003cspan class=\"citation-242 citation-end-242\"\u003e October 2, 1981 (Reissued 2011\/2018)\u003c\/span\u003e\u003cspan class=\"citation-241\"\u003e\u003c\/span\u003e\u003cb data-path-to-node=\"0\" data-index-in-node=\"161\" class=\"\"\u003e\u003cspan class=\"citation-241\"\u003eLabel:\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"citation-241 citation-end-241\"\u003e Discipline Global Mobile \/ Panegyric (Catalog: KCLP8)\u003c\/span\u003e\u003cb data-path-to-node=\"0\" data-index-in-node=\"222\"\u003eGenre:\u003c\/b\u003e\u003cspan class=\"citation-240 citation-end-240\"\u003e New Wave \/ Progressive Rock \/ Post-Punk \/ Art Rock\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"1\" data-index-in-node=\"0\" class=\"\"\u003eBackground \u0026amp; Production\u003c\/b\u003e\u003cspan class=\"citation-239\"\u003eFollowing a seven-year hiatus after \u003c\/span\u003e\u003ci data-path-to-node=\"1\" data-index-in-node=\"60\" class=\"\"\u003e\u003cspan class=\"citation-239\"\u003eRed\u003c\/span\u003e\u003c\/i\u003e\u003cspan class=\"citation-239 citation-end-239\"\u003e, Robert Fripp reformed King Crimson with a radical new \"Anglo-American\" lineup.\u003c\/span\u003e\u003cspan class=\"\"\u003e \u003c\/span\u003e\u003cspan class=\"citation-238 citation-end-238\"\u003eOriginally intended to be called \"Discipline,\" Fripp realized during rehearsals that the band's identity was unmistakably Crimson.\u003c\/span\u003e\u003cspan class=\"\"\u003e \u003c\/span\u003e\u003cspan class=\"citation-237 citation-end-237\"\u003eProduced by Rhett Davies and King Crimson at Island Studios in London, the album discarded the symphonic mellotrons of the 70s in favor of a lean, \"mechanized\" sound influenced by Indonesian Gamelan, minimalism, and New Wave.\u003c\/span\u003e\u003cspan class=\"\"\u003e \u003c\/span\u003e\u003cspan class=\"citation-236 citation-end-236\"\u003eThis 200g reissue was cut from the 30th Anniversary masters personally approved by Robert Fripp, restoring the album's complex sonic architecture for modern high-fidelity systems.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003e\u003cb data-path-to-node=\"2\" data-index-in-node=\"0\" class=\"\"\u003eMusical Composition \u0026amp; Style\u003c\/b\u003e\u003cspan class=\"citation-235 citation-end-235\"\u003eThe album is defined by interlocking, cyclical guitar lines and the introduction of groundbreaking technology.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-path-to-node=\"3\"\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"3,0,0\"\u003e\u003cspan class=\"citation-234\"\u003e\u003c\/span\u003e\u003cb data-path-to-node=\"3,0,0\" data-index-in-node=\"0\"\u003e\u003cspan class=\"citation-234\"\u003eThe \"Interlocking\" Guitars:\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"citation-234 citation-end-234\"\u003e Fripp and Belew pioneered a \"math-rock\" approach, playing fast, cross-picked lines in differing time signatures that phase in and out of sync.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"3,1,0\"\u003e\u003cspan class=\"citation-233\"\u003e\u003c\/span\u003e\u003cb data-path-to-node=\"3,1,0\" data-index-in-node=\"0\"\u003e\u003cspan class=\"citation-233\"\u003eTechnological Firsts:\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"citation-233\"\u003e Tony Levin introduced the \u003c\/span\u003e\u003cb data-path-to-node=\"3,1,0\" data-index-in-node=\"48\"\u003e\u003cspan class=\"citation-233\"\u003eChapman Stick\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"citation-233\"\u003e to a wide audience, while Bill Bruford utilized \u003c\/span\u003e\u003cb data-path-to-node=\"3,1,0\" data-index-in-node=\"110\" class=\"\"\u003e\u003cspan class=\"citation-233\"\u003eSimmons electronic drums\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"citation-233 citation-end-233\"\u003e (often eschewing cymbals) to create a dry, percussive landscape.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"3,2,0\"\u003e\u003cspan class=\"citation-232\"\u003e\u003c\/span\u003e\u003cb data-path-to-node=\"3,2,0\" data-index-in-node=\"0\"\u003e\u003cspan class=\"citation-232\"\u003eKey Tracks:\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"citation-232 citation-end-232\"\u003e Includes the frantic, animalistic guitar textures of \"Elephant Talk,\" the hyper-kinetic \"Thela Hun Ginjeet,\" and the ethereal instrumental \"The Sheltering Sky.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"3,3,0\"\u003e\u003cspan class=\"citation-231\"\u003e\u003c\/span\u003e\u003cb data-path-to-node=\"3,3,0\" data-index-in-node=\"0\"\u003e\u003cspan class=\"citation-231\"\u003eThe \"Matte Kudasai\" Bonus:\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"citation-231\"\u003e Most modern reissues, including this one, feature an \u003c\/span\u003e\u003cb data-path-to-node=\"3,3,0\" data-index-in-node=\"80\"\u003e\u003cspan class=\"citation-231\"\u003eAlternative Mix\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"citation-231 citation-end-231\"\u003e of \"Matte Kudasai\" as a bonus track, which restores a Fripp guitar part that was removed from previous \"Definitive Edition\" remasters.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-path-to-node=\"4\"\u003e\u003cb data-path-to-node=\"4\" data-index-in-node=\"0\" class=\"\"\u003eOriginal Pressing \u0026amp; Collector Notes\u003c\/b\u003e\u003cspan class=\"\"\u003e While 1981 originals (EG Records) are prized for history,\u003c\/span\u003e\u003cspan class=\"\"\u003e the 200g reissue is widely considered the \"reference\" version for its silent noise floor.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-path-to-node=\"5\"\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"5,0,0\"\u003e\u003cspan class=\"citation-230\"\u003e\u003c\/span\u003e\u003cb data-path-to-node=\"5,0,0\" data-index-in-node=\"0\"\u003e\u003cspan class=\"citation-230\"\u003eIdentification:\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"citation-230\"\u003e Look for the \u003c\/span\u003e\u003cb data-path-to-node=\"5,0,0\" data-index-in-node=\"29\"\u003e\u003cspan class=\"citation-230\"\u003eDiscipline Global Mobile (DGM)\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"citation-230\"\u003e logo and catalog number \u003c\/span\u003e\u003cb data-path-to-node=\"5,0,0\" data-index-in-node=\"84\"\u003e\u003cspan class=\"citation-230\"\u003eKCLP8\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"citation-230 citation-end-230\"\u003e.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"citation-229\"\u003eThe front cover features an \u003c\/span\u003e\u003cb data-path-to-node=\"5,0,0\" data-index-in-node=\"119\"\u003e\u003cspan class=\"citation-229\"\u003eembossed\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"citation-229 citation-end-229\"\u003e red Celtic knot and a silver hype sticker.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"5,1,0\"\u003e\u003cspan class=\"citation-228\"\u003e\u003c\/span\u003e\u003cb data-path-to-node=\"5,1,0\" data-index-in-node=\"0\"\u003e\u003cspan class=\"citation-228\"\u003eMastering Credentials:\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"citation-228\"\u003e This version was cut at \u003c\/span\u003e\u003cb data-path-to-node=\"5,1,0\" data-index-in-node=\"47\"\u003e\u003cspan class=\"citation-228\"\u003eLoud Mastering\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"citation-228\"\u003e (often by \u003c\/span\u003e\u003cb data-path-to-node=\"5,1,0\" data-index-in-node=\"72\"\u003e\u003cspan class=\"citation-228\"\u003eJason Mitchell\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"citation-228\"\u003e or \u003c\/span\u003e\u003cb data-path-to-node=\"5,1,0\" data-index-in-node=\"90\"\u003e\u003cspan class=\"citation-228\"\u003eJohn Dent\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"citation-228 citation-end-228\"\u003e).\u003c\/span\u003e\u003cspan class=\"animating\"\u003e Look for \"JASDAFACE LOUD\" or similar etchings in the runout.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"5,2,0\"\u003e\u003cb data-path-to-node=\"5,2,0\" data-index-in-node=\"0\" class=\"\"\u003eKnotwork Controversy:\u003c\/b\u003e\u003cspan class=\"citation-227 citation-end-227\"\u003e The original 1981 cover used a Celtic knot design by George Bain without proper license.\u003c\/span\u003e\u003cspan class=\"\"\u003e \u003c\/span\u003e\u003cspan class=\"citation-226\"\u003eLater reissues, including this one, use a commissioned knot by \u003c\/span\u003e\u003cb data-path-to-node=\"5,2,0\" data-index-in-node=\"174\"\u003e\u003cspan class=\"citation-226\"\u003eSteve Ball\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"citation-226 citation-end-226\"\u003e that is subtly different but legally cleared.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"5,3,0\"\u003e\u003cb data-path-to-node=\"5,3,0\" data-index-in-node=\"0\" class=\"\"\u003ePhysicality:\u003c\/b\u003e\u003cspan class=\"\"\u003e The \u003c\/span\u003e\u003cb data-path-to-node=\"5,3,0\" data-index-in-node=\"17\" class=\"\"\u003e200-gram\u003c\/b\u003e\u003cspan class=\"\"\u003e weight makes it significantly more rigid than the 1981 \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"7,0,0\"\u003e\u003cb data-path-to-node=\"7,0,0\" data-index-in-node=\"0\"\u003e\u003cspan class=\"citation-225\"\u003eKeywords:\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"citation-225 citation-end-225\"\u003e King Crimson, Discipline, 200g Vinyl, Robert Fripp, Adrian Belew, Tony Levin, Bill Bruford, Chapman Stick, Progressive Rock, New Wave, KCLP8.\u003csup class=\"superscript\" data-turn-source-index=\"21\"\u003e\u003c!----\u003e\u003c\/sup\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"source-inline-chip-container ng-star-inserted\"\u003e\n\u003cbutton class=\"button ng-star-inserted\" aria-label=\"View source details for citation from Discogs. Opens side panel.\"\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/button\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\n\u003c\/div\u003e\n\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"7,1,0\"\u003e\u003cb data-path-to-node=\"7,1,0\" data-index-in-node=\"0\"\u003eCollection Ideas:\u003c\/b\u003e The 80s Crimson Trilogy, Audiophile 200g Reissues, Post-Punk Foundations, Interlocking Guitar Classics.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"7,2,0\"\u003e\u003cb data-path-to-node=\"7,2,0\" data-index-in-node=\"0\"\u003eRelated Artists:\u003c\/b\u003e Talking Heads, Peter Gabriel, The League of Gentlemen, David Bowie, Bill Bruford's Earthworks.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"King Crimson","offers":[{"title":"Default Title","offer_id":51351039902013,"sku":"5558","price":100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0959\/2605\/9325\/files\/Discipline_-_Original_Vinyl_Cover.jpg?v=1770275714","url":"https:\/\/gravestonerecords.com.au\/products\/discipline-king-crimson","provider":"Gravestone Records","version":"1.0","type":"link"}