{"product_id":"hold-out-jackson-browne","title":"Hold Out, Jackson Browne","description":"\u003cp data-path-to-node=\"0\"\u003e\u003cb data-path-to-node=\"0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Jackson Browne \u003cb data-path-to-node=\"0\" data-index-in-node=\"23\"\u003eTitle:\u003c\/b\u003e \u003ci data-path-to-node=\"0\" data-index-in-node=\"30\"\u003eHold Out\u003c\/i\u003e \u003cb data-path-to-node=\"0\" data-index-in-node=\"39\"\u003eAlbum Type:\u003c\/b\u003e Sixth Studio Album (Original Vinyl Release) \u003cb data-path-to-node=\"0\" data-index-in-node=\"95\"\u003eOriginal Release Date:\u003c\/b\u003e June 24, 1980 \u003cb data-path-to-node=\"0\" data-index-in-node=\"132\"\u003eLabel:\u003c\/b\u003e Asylum Records (Catalog: 5E-511) \u003cb data-path-to-node=\"0\" data-index-in-node=\"172\"\u003eGenre:\u003c\/b\u003e Rock \/ Pop Rock\u003c\/p\u003e\n\u003cp data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eBackground \u0026amp; Production\u003c\/b\u003e Released as the follow-up to the multi-platinum \u003ci data-path-to-node=\"1\" data-index-in-node=\"72\"\u003eRunning on Empty\u003c\/i\u003e, \u003ci data-path-to-node=\"1\" data-index-in-node=\"90\"\u003eHold Out\u003c\/i\u003e was recorded during a period of transition for Browne. Produced by Jackson Browne and Greg Ladanyi, the album was tracked at The Sound Factory and Record One in Los Angeles. Despite receiving mixed reviews from critics at the time—who found it less \"poetic\" than his 70s output—it became Browne’s only album to reach \u003cb data-path-to-node=\"1\" data-index-in-node=\"416\"\u003e#1 on the Billboard 200\u003c\/b\u003e. The record is dedicated to Lowell George (of Little Feat), specifically the track \"Of Missing Persons,\" which was written for George’s daughter, Inara.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003e\u003cb data-path-to-node=\"2\" data-index-in-node=\"0\"\u003eMusical Composition \u0026amp; Style\u003c\/b\u003e The album features a more polished, radio-friendly \"SoCal\" rock sound, emphasizing mid-tempo grooves and lush synth-organ textures.\u003c\/p\u003e\n\u003cul data-path-to-node=\"3\"\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"3,0,0\"\u003e\u003cb data-path-to-node=\"3,0,0\" data-index-in-node=\"0\"\u003eMajor Hits:\u003c\/b\u003e Includes the guitar-driven \"Boulevard\" and the synthesizer-heavy \"That Girl Could Sing.\"\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"3,1,0\"\u003e\u003cb data-path-to-node=\"3,1,0\" data-index-in-node=\"0\"\u003eThe \"Gospel\" Closer:\u003c\/b\u003e The 8-minute epic \"Hold On Hold Out\" serves as a spiritual and musical climax, featuring a spoken-word section and a gospel-influenced arrangement.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"3,2,0\"\u003e\u003cb data-path-to-node=\"3,2,0\" data-index-in-node=\"0\"\u003eKey Personnel:\u003c\/b\u003e Features an elite squad of L.A. session legends, including David Lindley (Lap Steel), Bill Payne (Organ), Russ Kunkel (Drums), and Rosemary Butler (Backing Vocals).\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"3,3,0\"\u003e\u003cb data-path-to-node=\"3,3,0\" data-index-in-node=\"0\"\u003eSonic Profile:\u003c\/b\u003e The record is known for its clean, high-fidelity production, a hallmark of the early 80s West Coast studio sound.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-path-to-node=\"4\"\u003e\u003cb data-path-to-node=\"4\" data-index-in-node=\"0\"\u003eOriginal Pressing \u0026amp; Collector Notes\u003c\/b\u003e Because this was a massive commercial success, original US pressings are common, but \"Hot Stampers\" are highly prized by audiophiles.\u003c\/p\u003e\n\u003cul data-path-to-node=\"5\"\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"5,0,0\"\u003e\u003cb data-path-to-node=\"5,0,0\" data-index-in-node=\"0\"\u003eIdentification:\u003c\/b\u003e Look for the Asylum \"Cage\" label with the catalog number 5E-511.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"5,1,0\"\u003e\u003cb data-path-to-node=\"5,1,0\" data-index-in-node=\"0\"\u003eThe Mastering Lab (TML):\u003c\/b\u003e For the best sound quality, look for \u003cb data-path-to-node=\"5,1,0\" data-index-in-node=\"62\"\u003e\"TML-S\"\u003c\/b\u003e or \u003cb data-path-to-node=\"5,1,0\" data-index-in-node=\"73\"\u003e\"TML-M\"\u003c\/b\u003e stamped in the dead wax (runout). This indicates it was mastered at The Mastering Lab by Doug Sax, providing the \"Tubey Magic\" depth that fans of 80s analog recordings seek.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"5,2,0\"\u003e\u003cb data-path-to-node=\"5,2,0\" data-index-in-node=\"0\"\u003ePressing Plants:\u003c\/b\u003e Most original US copies were pressed at \u003cb data-path-to-node=\"5,2,0\" data-index-in-node=\"57\"\u003eSpecialty Records Corporation (SP)\u003c\/b\u003e or \u003cb data-path-to-node=\"5,2,0\" data-index-in-node=\"95\"\u003eAllied Record Company (AR)\u003c\/b\u003e.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"5,3,0\"\u003e\u003cb data-path-to-node=\"5,3,0\" data-index-in-node=\"0\"\u003ePackaging:\u003c\/b\u003e Original copies come with a semi-glossy single sleeve and a \u003cb data-path-to-node=\"5,3,0\" data-index-in-node=\"71\"\u003etwo-color printed inner sleeve\u003c\/b\u003e containing full lyrics and detailed musician credits.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"5,4,0\"\u003e\u003cb data-path-to-node=\"5,4,0\" data-index-in-node=\"0\"\u003eMarket Rarity:\u003c\/b\u003e While not a \"rare\" record, finding a copy without \"ring wear\" on the dark cover or \"surface noise\" in the quiet ballad sections like \"Call It A Loan\" is the primary challenge for collectors.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"7,0,0\"\u003e\u003cb data-path-to-node=\"7,0,0\" data-index-in-node=\"0\"\u003eKeywords:\u003c\/b\u003e Jackson Browne, Hold Out, Original Pressing, 1980 Vinyl, Asylum Records, 5E-511, Boulevard, That Girl Could Sing, SoCal Rock, West Coast Sound.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"7,1,0\"\u003e\u003cb data-path-to-node=\"7,1,0\" data-index-in-node=\"0\"\u003eCollection Ideas:\u003c\/b\u003e 80s Chart Toppers, Asylum Records Essentials, Doug Sax Mastering, L.A. Session Legends.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"7,2,0\"\u003e\u003cb data-path-to-node=\"7,2,0\" data-index-in-node=\"0\"\u003eRelated Artists:\u003c\/b\u003e Warren Zevon, James Taylor, Linda Ronstadt, The Eagles, JD Souther.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jackson Browne","offers":[{"title":"Default Title","offer_id":51351138369853,"sku":"5560","price":60.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0959\/2605\/9325\/files\/Jackson_Browne_Hold_Out.jpg?v=1770191715","url":"https:\/\/gravestonerecords.com.au\/products\/hold-out-jackson-browne","provider":"Gravestone Records","version":"1.0","type":"link"}