{"product_id":"touch-noiseworks","title":"Touch, Noiseworks","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"0\"\u003e\u003cb data-path-to-node=\"0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Noiseworks \u003cb data-path-to-node=\"0\" data-index-in-node=\"19\"\u003eTitle:\u003c\/b\u003e \u003ci data-path-to-node=\"0\" data-index-in-node=\"26\"\u003eTouch\u003c\/i\u003e \u003cb data-path-to-node=\"0\" data-index-in-node=\"32\"\u003eAlbum Type:\u003c\/b\u003e Second Studio Album (Original Vinyl Release) \u003cb data-path-to-node=\"0\" data-index-in-node=\"89\"\u003eOriginal Release Date:\u003c\/b\u003e November 11, 1988 \u003cb data-path-to-node=\"0\" data-index-in-node=\"130\"\u003eLabel:\u003c\/b\u003e CBS Records (Catalog: 463115 1) \u003cb data-path-to-node=\"0\" data-index-in-node=\"169\"\u003eGenre:\u003c\/b\u003e Rock \/ Pop Rock \/ Pub Rock\u003c\/p\u003e\n\u003cp data-path-to-node=\"1\"\u003e\u003cb data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eBackground \u0026amp; Production\u003c\/b\u003e Following the triple-platinum success of their debut, Noiseworks returned with \u003ci data-path-to-node=\"1\" data-index-in-node=\"103\"\u003eTouch\u003c\/i\u003e, an album that signaled a shift toward a more organic, \"down-to-earth\" Australian rock sound. Produced by \u003cb data-path-to-node=\"1\" data-index-in-node=\"215\"\u003eChris Kimsey\u003c\/b\u003e (renowned for his work with The Rolling Stones and Marillion), the album was recorded primarily at Rhinoceros Studios in Sydney. While their debut was heavily laden with 80s keyboard gloss, \u003ci data-path-to-node=\"1\" data-index-in-node=\"418\"\u003eTouch\u003c\/i\u003e leaned into acoustic textures and more complex arrangements. The record was a massive hit in Australia, debuting at #5 on the ARIA charts and further establishing Jon Stevens as one of the country's premier rock vocalists.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003e\u003cb data-path-to-node=\"2\" data-index-in-node=\"0\"\u003eMusical Composition \u0026amp; Style\u003c\/b\u003e The album perfectly balances the grit of the Australian pub rock circuit with polished, anthemic pop sensibilities.\u003c\/p\u003e\n\u003cul data-path-to-node=\"3\"\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"3,0,0\"\u003e\u003cb data-path-to-node=\"3,0,0\" data-index-in-node=\"0\"\u003eMajor Hits:\u003c\/b\u003e Includes the Title Track \"Touch,\" \"Voice of Reason,\" \"Simple Man,\" and \"In My Youth.\"\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"3,1,0\"\u003e\u003cb data-path-to-node=\"3,1,0\" data-index-in-node=\"0\"\u003eSonic Evolution:\u003c\/b\u003e Fans and critics often note that while the singles are radio-friendly, deeper tracks like \"Home\" and \"Live and Die\" showcase a more soulful, blues-inflected side of the band.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"3,2,0\"\u003e\u003cb data-path-to-node=\"3,2,0\" data-index-in-node=\"0\"\u003eVocal Range:\u003c\/b\u003e Jon Stevens’ performance on this record is a standout, ranging from the aggressive rasp of \"Simple Man\" to the emotive, melodic delivery on the power ballad \"Voice of Reason.\"\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"3,3,0\"\u003e\u003cb data-path-to-node=\"3,3,0\" data-index-in-node=\"0\"\u003ePersonnel:\u003c\/b\u003e Features the classic lineup: Jon Stevens (Vocals), Stuart Fraser (Guitar), Steve Balbi (Bass), Justin Stanley (Keyboards\/Harp), and Kevin Nicol (Drums).\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-path-to-node=\"4\"\u003e\u003cb data-path-to-node=\"4\" data-index-in-node=\"0\"\u003eOriginal Pressing \u0026amp; Collector Notes\u003c\/b\u003e The 1988 original Australian vinyl is widely considered the superior way to hear this album, as the initial CD release was famously criticized for its flat, \"muddy\" sound.\u003c\/p\u003e\n\u003cul data-path-to-node=\"5\"\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"5,0,0\"\u003e\u003cb data-path-to-node=\"5,0,0\" data-index-in-node=\"0\"\u003eIdentification:\u003c\/b\u003e The original Australian pressing features the \u003cb data-path-to-node=\"5,0,0\" data-index-in-node=\"62\"\u003eCBS\u003c\/b\u003e label with the catalog number \u003cb data-path-to-node=\"5,0,0\" data-index-in-node=\"96\"\u003e463115 1\u003c\/b\u003e. Most copies were issued in a high-quality \u003cb data-path-to-node=\"5,0,0\" data-index-in-node=\"148\"\u003egatefold sleeve\u003c\/b\u003e.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"5,1,0\"\u003e\u003cb data-path-to-node=\"5,1,0\" data-index-in-node=\"0\"\u003eDMM Mastering:\u003c\/b\u003e Many copies (including the UK Epic release) were mastered using \u003cb data-path-to-node=\"5,1,0\" data-index-in-node=\"79\"\u003eDirect Metal Mastering (DMM)\u003c\/b\u003e, resulting in a very crisp high-end and detailed percussion. Look for \"DMM\" etched in the runout (dead wax).\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"5,2,0\"\u003e\u003cb data-path-to-node=\"5,2,0\" data-index-in-node=\"0\"\u003eThe \"Allan Parsons\" Etching:\u003c\/b\u003e Original Australian copies often feature the initials \u003cb data-path-to-node=\"5,2,0\" data-index-in-node=\"83\"\u003e\"AP\"\u003c\/b\u003e in the runout, indicating it was etched by engineer Allan Parsons at EMI Studios 301.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"5,3,0\"\u003e\u003cb data-path-to-node=\"5,3,0\" data-index-in-node=\"0\"\u003ePackaging:\u003c\/b\u003e The gatefold features photography by Wendy McDougall and stylized artwork by Flash Graphics. Some early copies were issued with hype stickers listing the hit singles on the front sleeve.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"5,4,0\"\u003e\u003cb data-path-to-node=\"5,4,0\" data-index-in-node=\"0\"\u003eMarket Rarity:\u003c\/b\u003e While reasonably common in Australia, finding a copy with the gatefold in \"Near Mint\" condition is the goal, as the dark cover art is prone to visible ring wear and edge chipping.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"7,0,0\"\u003e\u003cb data-path-to-node=\"7,0,0\" data-index-in-node=\"0\"\u003eKeywords:\u003c\/b\u003e Noiseworks, Touch, Original Pressing, 1988 Vinyl, CBS 463115 1, Jon Stevens, Australian Rock, Pub Rock, Gatefold, Voice of Reason.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"7,1,0\"\u003e\u003cb data-path-to-node=\"7,1,0\" data-index-in-node=\"0\"\u003eCollection Ideas:\u003c\/b\u003e 80s Australian Rock, Pub Rock Legends, Essential Sophomores, Gatefold Classics.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"7,2,0\"\u003e\u003cb data-path-to-node=\"7,2,0\" data-index-in-node=\"0\"\u003eRelated Artists:\u003c\/b\u003e INXS, Jimmy Barnes, Midnight Oil, The Angels, Dragon, 1927.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Noiseworks","offers":[{"title":"Default Title","offer_id":51353723011389,"sku":"5572","price":70.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0959\/2605\/9325\/files\/Noiseworks-touch.jpg?v=1770270781","url":"https:\/\/gravestonerecords.com.au\/products\/touch-noiseworks","provider":"Gravestone Records","version":"1.0","type":"link"}